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In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.收起
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齐纳吾·英塔拉库辛 查侬·散顶腾古 派泰·普洛伊米卡 纳塔朋·迪洛那瓦立 佳妮达·芬帕丹吉 吉拉迪·库立亚古 齐提沙努彭·萨坤楠提帕 飘瓦琳·可西里薇拉浓 薇妮达·漏瓦塔纳固 蒂蒂卡亚·奇瓦普雷佐 苷蒂碴·楚玛 缇拉娜·翁楚恩 铂斯·达兰珀·查姆普诺德 杰克·周纳谭·霍尔曼
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