ThisveryKafka-esquefilmisKeaton’sresponsetotheFattyArbucklescandal.[citationneeded]Eventhoughthecent[展开全部]
ThisveryKafka-esquefilmisKeaton’sresponsetotheFattyArbucklescandal.[citationneeded]Eventhoughthecentralcharacter’sintentionsaregood,hecannotwin,nomatterhowinventivelyhetries.Hegetsintovariousscrapswithpoliceofficersthroughoutthefilm.Eventually,heunwittinglythrowsabombintoapoliceparadeandendsupbeingchasedbyahordeofcops.Attheendofthefilm,Keaton’scharacterlocksupthecopsinthepolicestation.However,thegirlheistryingtowoodisapprovesofhisbehaviorandgiveshimthecoldshoulder.Therefore,heunlocksthepolicestationandisimmediatelypulledinbythecops.Thefilmendswiththetitle"TheEnd"writtenonatombstonewithKeaton’sporkpiehatproppedonit.OneofKeaton’smosticonicandbrilliantly-constructedshortfilms,Copswasdeemed"culturally,historically,oraestheticallysignificant"bytheUnitedStatesLibraryofCongressandselectedforpreservationintheirNationalFilmRegistryin1997.[收起部分]